Reviews2020-04-05T13:22:21+01:00

Reviews

Here you will find night critiques and reviews, which we usually accompany and supplement with dance photography and dance films of the performances to offer an additional, independent and hopefully artistic view of the choreographic events.

Cildren- and Youth at schrit_tmacher justdance!

Impressions „LOEV“ Danstheater AYA

It’s 1 pm in Kerkrade Theatre and it’s really loud. …

Observations by Natalie Broschat

Around 300 schoolchildren have come to watch ‘LOEV’ by Danstheater AYA. The Dutch group led by choreographer Ryan Djojokarso, who is interested in interpersonal relationships and has already explored […]

Von |24. März, 2025|

Wir sprechen mit Rick Takvorian über sein rückblickendes Fazit zur 29.Ausgabe, über Dinge die gut gelaufen sind, Publikumsreaktionen, Marketing seitens der Stadt Aachen, über Dinge die besser laufen können und über die nahe Zukunft des Festivals…

Von |29. November, 2024|

Drei sehr unterschiedliche choreografische Ansätze zum Finale des FRAGILE FESTIVALS im Alten Schauspielhaus in Wuppertal, von denen nicht alle überzeugen konnten.

Von |8. Oktober, 2024|

...The only people who perhaps wanted to be a couple in Bausch’s VIKTOR are already lying dead on the stage and are married right at the beginning of the play (and again in a repeat at the very end) by a magistrate or chaplain, post mortem so to speak, after Julie Shanahan, armless like a dressmaker’s dummy, has silently dribbled an elegant red dress onto the stage ramp in the first image....

Von |1. Juli, 2024|

Restaging of VIKTOR – dance piece by Pina Bausch

„Death is omnipresent…“

On 26 June, the revival of Pina Bausch’s 1986 piece, which was last shown in 2017, celebrated its premiere with a new cast and Breanna O’Mara and Scott Jennings as guests, who had a […]

Von |1. Juli, 2024|

How do You want to be remembered…?

… on the occasion of the film review of „ROMANCE“ by Samantha Shay, which will be shown at the moovy-festival in Cologne on 17 March.

a short commentary by Klaus Dilger

The fiftieth season of the Tanztheater Wuppertal Pina Bausch has long since reached its midpoint.This […]

Von |5. März, 2024|

Dance of agony

Overpretentious and underperforming: Samantha Shay’s dance film „Romance“ can’t decide whether it wants to be fiction or documentary. The result is sobering.

By: Harff-Peter Schönherr

Anyone who makes a film out of literature has to hope that the cinema-goer doesn’t know the […]

Von |29. Februar, 2024|

Reenactment of Pina Bausch’s NELKEN

The live of the others…

Night review by Klaus Dilger

HERE you can find our video impressions

A sparsely lit field of thousands of carnations, as an entrance atmosphere on the open stage of the Wuppertal Opera House. The ideal backdrop, it seems, for many a […]

Von |30. Januar, 2024|

Our video impressions

What remains…

… from „Café Müller“ as part of the Club Amour evening by Boris Charmatz

by Klaus Dilger

Melanie Suchy reviewed the evening for us and comes to the questioning conclusion: „Maybe it’s time to close the café“. Therefore, in […]

Von |25. November, 2023|

Charmatz shows little that is surprising:

Any…

The Tanztheater Wuppertal Pina Bausch presents the first piece of its new director Boris Charmatz with the jaunty French title „Liberté Cathédrale“. He places it in the Mariendom in the small town of Neviges, not far from Wuppertal.

HERE you will find our […]

Von |9. September, 2023|
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